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There are some things that really work well within Love, Victor, and most of them have almost nothing to do with the various teen dramas that occur over the course the season. When you can see the plot strings being pulled it takes away from the potential strength of the narrative path. I fully bought that it took Victor the whole of the ten episodes to reach the place he does, but the fits and starts it takes to get there began to feel contrived simply to prevent the narrative from unfolding in a cleaner manner.
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I only wish the series had a better handle on the sprawling narrative so that actual progress happened at a decent pace throughout season rather than in confusing fits and starts. I should stress that there’s no one size fits all coming out story, and it’s nice to see how Victor’s journey is different from Simon’s (Victor who is from a Latinx background, has family members – including his own father – who are casually homophobic throughout the season, and his family is markedly religious – a change from Simon’s very outwardly liberal parents in the film). Which is fine, since one of Victor’s key traits is serving as a “fixer” for his family and friends (something that the show does explore admirably, as it’s a true stressor for many people), but it means we rehash Victor’s internal arguments over and over before any progress is made. There’s a lot of plot churning throughout the first season (from Victor meeting his new group of friends and nemeses, the Salazar family going through their own struggles, Pilar (a very good Isabella Ferreira), Victor’s younger sister, having trouble fitting in at Creekwood, and Victor’s new friends dealing with their own family issues), and Victor’s own personal struggles often find themselves taking a backseat to the other problems affecting those around him. (It’s far less clinical than it sounds, I promise.) Simon responds, and the pair begin a DM friendship as Simon tries to help Victor untangle the mess that is teenage sexuality and figure out whether he’s gay or straight. As a result, he writes an angsty Instagram DM to Simon, who is now off in college at NYU and thriving, complaining that while Simon managed to have a storybook coming out tale, Victor and other kids like him aren’t nearly as lucky. Aside from the normal growing pains of starting at a new school mid-year (or at least it seems to be mid-year – the series is a bit confusing on this point), Victor has a sneaking suspicion that he might not be as straight as everyone around him assumes him to be. Love, Victor tells the story of Victor Salazar (Michael Cimino, who looks age appropriate, but lacks the acting chops to handle some of the show’s more dramatic moments), a high school sophomore who moves from a small town in Texas to Atlanta (and the same Creekwood High School from Love, Simon) after his father gets a new job. Love, Victor is much in the same vein: it’s perfectly fine, but not all that impressive when it comes to building on the story that was already told in Love, Simon. Sure, it’s pretty bland and clearly written to be palatable for straight audiences while also throwing a bone to LGBTQ+ viewers in that they actually get to watch a gay rom-com, but it’s also charming and a nice way to spend a couple hours if you’re in the market for a solid teen-focused gay film. If you haven’t seen Love, Simon, a delightful, if not all that complex, film from a couple of years back, I recommend it. Now that I’ve gotten that out of the way, time for the actual review. And that’s an incredibly disappointing decision on the part of Disney+. The only reason I can fathom for Disney+ moving the series to Hulu is that it’s about a kid trying to figure out if he’s gay or straight.
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It’s no more “adult” than a Marvel movie – most of which are currently on Disney+. Based on the language, I’d say it’s a mild PG-13. There are a few instances of salty language. There are some kisses – both of the hetero and homosexual variety. There are no instances of intense violence. It’s a teen rom-com that happens to have a 16-year-old boy questioning his sexual orientation. Before I get into my review of the series (I’ve seen all ten episodes of the first season), I want to briefly touch on that “too adult” label. Originally planned as a Disney+ original series, the streaming network got scared earlier this year and announced (after some additional time in cancellation limbo) that the series would be moved to Hulu (of which Disney is now the majority shareholder) because it was too adult for Disney+. Love, Victor, a sequel of sorts to the gay teen rom-com Love, Simon, had a winding road to its upcoming premiere on Hulu.